Marilyn Monroe. Tomato Campbell’s Soup. Andrew Warhola.
What do these three have in common? They were all re-imagined — and made icons of art history — by Andy Warhol.
We’re So Glad You’re Here is our welcome party for works that are new to us — and to our audiences — and features recent loans and recent acquisitions of artists well-known and under-sung, across media, and many on view at The AGB for the first time.
As explored in this exhibition of ceramic works from the Museum’s permanent collection, some objects on view have survived for millennia and offer us a connection to peoples across time, both those who produced these works and those who used or displayed them. The works also link us to the history of visual culture, wherein artists use imagery — abstract, representational, or otherwise — to entice our eyes or even to tell stories.
From the 1960s onward, as this exhibition of works from the Museum’s permanent collection seeks to demonstrate, American artists leapt into the void left by a Europe in reconstruction, staking their places in art history in ways American art had never before.
Step into the world of Frank Lloyd Wright and discover how America’s most celebrated architect spent two decades designing and imagining a campus of the future, now home to Florida Southern College.
Shrouded in Mystery: Photographs by Stephen Althouse
Artwork by Polk County Students, Grades K through 2
Artwork by Polk County Middle School Students, Grades 6 through 8
In our galleries this fall, Surreal Scenarios: The Art of Susanne Schuenke invites visitors to explore the imaginative and thought-provoking works of a narrative surrealist painter. Through intricate detail, vibrant color palettes, and layers of allegorical imagery, Schuenke’s paintings blur the lines between conscious and unconscious realms offering visitors a glimpse into the psyche of an artist who dares to imagine beyond the ordinary.
Tracing the trials and tribulations of the legendary Medici dynasty and their influence, power, and patronage over the Italian Renaissance, this evocative exhibition arrives in the United States for the first time, offering visitors to The AGB a rare opportunity to experience over 60 paintings of Renaissance portraiture and artifacts from the Stibbert Museum in Florence, Italy.
Artwork by The Ashley Gibson Barnett Museum of Art Summer Camp Students, Ages 8 through 14
Artwork by Polk County Students, Grades K through 12
Lorem ipsum dolor sit amet consectetur adipiscing elit. Quisque faucibus ex sapien vitae pellentesque sem placerat. In id cursus mi pretium tellus duis convallis. Tempus leo eu aenean sed diam urna tempor. Pulvinar vivamus fringilla lacus nec metus bibendum egestas. Iaculis massa nisl malesuada lacinia integer nunc posuere. Ut hendrerit semper vel class aptent taciti sociosqu. Ad litora torquent per conubia nostra inceptos himenaeos.
Artwork by Polk County Students, Grades 3 through 5
The Ashley Gibson Barnett Museum of Art is excited to announce that it will be hosting the nationally-renowned 102nd annual Scholastic Art and Writing Awards for the Polk County, Florida Art Region.
Harrison School for the Arts Senior Showcase
“Pictures must be miraculous; the instant one is completed, the intimacy between the creation and the creator is ended. He is an outsider. The picture must be for him, as for anyone experiencing it later, a revelation, an unexpected and unprecedented resolution of an eternally familiar need.”
— Mark Rothko, “The Romantics Were Prompted,” 1947
Considered the foremost photographer of the international jazz community, Leonard captured an era in music through his now-timeless images, and our collective memories of larger-than-life figures like Duke Ellington, Billie Holliday, and Miles Davis, to name a few, have been shaped by his masterful camera lens.
For the late nineteenth century, on the cusp of the abstractive trends of the twentieth, the celebrated master sculptor was Auguste Rodin (1840-1917). Rodin’s bronze sculptures not only revived for a new century the expressive and naturalistic styles of antiquity, using ancient Greek sculptors’ medium of choice, but also propelled figurative sculpture into the modern age with emotion and pathos never seen before in the sculpted form.
— Mark Rothko, “The Romantics Were Prompted,” 1947
For nearly two years, the paintings were under the expert care of conservators in Miami. Now, the paintings — dramatically restored — are unveiled in their new, glorious state in our newly-expanded galleries for the first time.
From drawings and artist proof prints to intaglios, serigraphs, and even paper-based sculptures, the collection boasts works on paper from across time and around the globe that showcase the intimate hands of their artists.
In this first installation of works on long-term loan from the collection of the Woodsby family, we start appropriately at the beginning, with the rise of the Highwaymen and a focus on the two founding figures of this much-loved yet under-sung art movement, Alfred Hair and Harold Newton.
Artwork by Polk County High School Students, Grades 9 through 12
Artwork by Polk County Middle School Students, Grades 6 through 8
This Fall, visitors will get to immerse themselves not only in the beautiful 19th century world of the Netherlands but also to broaden their understanding of Impressionism in ways they never have — or could have — before.
AUGUSTE RODIN, CLAUDE LORRAIN, MODELED 1889, MUSÉE RODIN CAST 5 OF 8, 1992 , BRONZE, COUBERTIN FOUNDRY, LENT BY IRIS CANTOR.
In the late nineteenth century, there was no sculptor who captured the world’s imagination like Auguste Rodin (1840-1917). Renowned for his ability to breathe into the bronze medium a sense of universal humanity and emotional truth like no artist before him, Rodin was celebrated in his own lifetime and continues to draw fans to this day. Even those who may not know the name “Rodin” know Rodin’s work; his timeless Thinker and his Gates of Hell are emblems of modern art history and underline how Rodin mastered the ability to convey movement and form with a touch and style uniquely his own.
Rodin’s sculptures first arrived at the AGB for a major exhibition in 2022, the largest showcase of sculptures in the Museum’s history. Now, fourteen of Rodin’s bronzes have returned as part of an exciting long-term agreement with the Iris and B. Gerald Cantor Foundation. The loans coincide purposefully with the Museum’s 14,000-square-foot expansion with all fourteen sculptures installed throughout the Lynda and Steve Buck Gallery of Fine Art.
